the virtuous desdemona

350 will beseech the virtuous Desdemona to undertake for me. Beauty is in the eye of the beholder, as is virtue. IAGO I’ll send her to you presently, 40 And I’ll devise a mean to draw the Moor Out of the way, that your converse and business May be more free. IAGO You are in the right. Yet, it is her innocence that despite trying her best she cannot prove her fidelity before Othello. Ultimately the virtuous Desdemona refuses to blame Othello for her unhappiness: she declares it is her 'wretched fortune' (IV.2.129). Is that she will to virtuous Desdemona Procure me some access. ⌜ Iago ⌝ exits. I must to the watch. I am desperate of my fortunes if they check me here . Cassio exits. IAGO And what’s he, then, that says I play the villain, When this advice is free I give and honest, The female protagonist in the tragic play “Othello”, Desdemona is truly one rare character who astonishes the readers as much with her outer beauty as with her inner grace. CASSIO I humbly thank you for ’t. EMILIA “Burn like the mines of sulphur”: Virtuous Desdemona vs. Iago, the Vice, in a secret sun vs. coal morality play in Othello Beseech the virtuous Desdemona to undertake for me: I am desperate of my fortunes if they cheque me here. I never knew 45 A Florentine more kind and honest. CASSIO 355 Good night, honest Iago. Desdemona is virtuous and should not have met the tragic end she did . CASSIO. Desdemona was shown as a low moral, virtue less female in the essay The Character of Desdemona by John Quincy Adams. Desdemona is from a noble or ‘patrician’ family in Venice and therefore would have the least amount of freedom; her behaviour would have been watched carefully and she would not have been allowed to go out in public without her gentlewoman. Desdemona can be interpreted as the “good woman” who despite displaying great virtues is murdered by her jealous husband or as a modern woman challenging oppressive societal values. Desdemona is a character that can be read in multiple ways, some of which are more relevant to contemporary society than others. Such is the case of the virtue of the character Desdemona, from the play The Tragedy of Othello, by William Shakespeare. Good night, lieutenant. No. Desdemona, of a Venetian origin, is the daughter of Brabantio (a senator) who elopes to marry a Moorish Army General, Othello. Desdemona comes to see what the matter is; Othello quiets her and leads her home while putting Iago in charge of calming the town. Is, that she will to virtuous Desdemona Procure me some access. Enter Emilia. Arguments that see Desdemona as stereotypically weak and submissive ignore the conviction and authority of her first speech (“My noble father, / I do perceive here a divided duty” [I.iii. IAGO You are in the right. Good night, lieutenant; I Must to the watch. It was already daytime when we left each other. I will ask her to allow me to see the virtuous Desdemona. 236]). 179–180]) and her terse fury after Othello strikes her (“I have not deserved this” [IV.i. Desdemona is a more plausible, well-rounded figure than much criticism has given her credit for. Rest of the credit goes to Iago who brilliantly orchestrates the entire drama using every character skillfully. As he slowly sobers up, Cassio bemoans the loss of his reputation, but Iago insists this is only a small setback and encourages him to ask Desdemona … She has learned that 'men are not gods' (III.4.149) and this is a disappointment to her. Iago, I've been bold enough to ask to speak to your wife. My suit to her Is that she will to virtuous Desdemona Procure me some access. Desdemona is not foolish but still she is ignorant. The Female Protagonist. I am desperate of my fortunes if they check me here, I 've been bold enough to ask speak! 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